Painting the city

A few recent endeavors:

Satellite Dishes, 8"x10", oil on panel. I had set up and was an hour into this painting, when a running marathon began to pass by. A lot of breathless "Watcha doing?"s as a seemingly endless stream of runners went past. Plein air has its comic moments.


Billboards, 8"x10", oil on panel.

Rowing Club, 11"x14", oil on panel. SOLD

Air Show

Fighter jets were roaring around over my head during this painting. Drove me nuts! Oil on panel, 7"x7" SOLD

Recent plein air work

Here are a couple of recent plein air paintings.

Skatepark In The Rain, 7"x7", oil on panel

Canadian National Exhibition, 8 1/2"x11", oil on panel

My work can now be found at Canadian Fine Arts gallery (stay tuned for their updated website).

Urban plein air tips

The trio of Towns Road paintings is now finished, with the watertower below being the last. For now. I also added another image to my Unseen series, plein airs done at 'haunted' locations, the painting of Grenadier Pond being the third in that group. Soldiers drowned after breaking through the ice on Grenadier Pond during the War of 1812, and are still reportedly haunting the place.

Towns Road: Watertower, 8"x10", oil on panel SOLD

Unseen: Grenadier Pond, 10"x10", oil on panel

Skatepark, 8"x10", oil on panel

The following are a few urban plein tips I've sussed during my years 'on the streets':

* Solve drawing issues first. Complex urban scenes can be like a puzzle, and proportion and perspective are key to making it all fit.

* Be prepared for disruptions. A truck will park in front of you, and the driver will refuse to budge. And if those parked cars are important to your concept/composition, paint them in first. Because odds are very good they'll drive away before you finish.

* Be aware of the path of the sun. If you set up at 9:00 am facing east to paint a building, by 10:15 will the sun be above the roofline and blazing into your eyes?

* Some may claim that music on headphones enhances the experience of painting, but I don't recommend it, especially for urban work. I've been approached by dogs, friendly and otherwise, and people, friendly and not, and believe that awareness = safety. Further, the sounds of the city provide ample enhancement to the plein air experience.

* There are many things that attract the eye when choosing an urban subject. If you really want to capture that old Ford in the parking lot, or the faded Union Menswear sign, remember that context is part of what drew you to the scene. Portraying the car with little of the surrounding information is leaving a good part of the story out of the picture. Keep the image contemporary by recording the context and avoid nostalgia. That's all for now.

Visiting a friend's west end music studio introduced me to Towns Road, a funky area of assorted light industry that I never would have found on my own.

Towns Road: Trailer By The Sand, 8"x10", oil on panel SOLD

Towns Road: Tour Bus, 10"x10", oil on panel

A couple of new plein air paintings:

Houses under construction, 8"x10", oil on panel

The Fountain In The Grove, 10"x7 3/4", oil on panel

I wrote a song several years ago about my father's passing called The Fountain In The Grove. The image of a neglected fountain burbling away in the woods came from the song, and I've painted it a few times. In this case I painted the simple fountain at home, then searched for an appropriately gloomy setting in the woods nearby to set the scene.

Thank you to all that came out to the Toronto Outdoor Art Exhibition this month. It was a pleasure to make new connections, meet online acquaintences in person, and to see old friends again. J

Cars. A lot of cars.

These cars were continually shuffled around during my stay in the alley. What a challenge!


Oil on panel, 8"x10" SOLD